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2/2025	Theatre as a Venue and Tool of Social Change in the “Long” 19th Century
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Theatre as a Venue and Tool of Social Change in the “Long” 19th Century

The Theatre as a Venue and Tool of Social Change in the “Long” 19th Century (An introduction)

Laslavíková, Jana

The Stakes of Theatre Patronage in the Habsburg Monarchy’s Eastern Lands at the Turn of the 19th Century (1790–1810)

Mureşan, Raluca

The Summer Theatre in Bratislava: Dangerous Laughter and the Disciplining of Urban Popular Culture in the Late 18th Century

Kollárová, Ivona

The Construction of a New Theatre in Bratislava by George Csáky According to Documents of the Hungarian Royal Governor’s Council

Janura, Tomáš

The Ljubljana Stage in the 1830s: Cultural Exchange and Institutional Dynamics

Žigon, Tanja – Motnik, Marko

Proclamation of a Collective Viennese Identity—Aspects of the Wiener Theaterzeitung’s Reports on Giacomo Meyerbeer’s Robert le Diable in the 1830s

Horz, Andrea

Politicization of Theatre Audiences Through Historical Opera and the Use of National Myths: A Case-study of Nikola Šubić Zrinjski

Babić, Petra

Forum Historiae, 2025, roč. 19,
č. 2, ISSN 1337-6861

FORUM HISTORIAE 2/2025:
Theatre as a Venue and Tool of Social Change in the “Long” 19^th Century

ZOSTAVOVATEĽKA:
Jana Laslavíková

JAZYKOVÁ ÚPRAVA:
Robert Zanetti

AUTORI:
Petra Babić
Andrea Horz
Tomáš Janura
Ivona Kollárová
Jana Laslavíková
Marko Motnik
Raluca Mureşan
Tanja Žigon

ÚVODNÝ OBRÁZOK:
Viedenská dvorná opera, 1869

GRAFICKÁ ÚPRAVA:
Juraj Benko

Forum Historiae 2/2025: The Theatre as a Venue and Tool of Social Change in the ‘Long’ Nineteenth Century vyšlo s podporou projektov VEGA-2/0024/22 Divadlo ako priestor a nástroj spoločenskej zmeny a APVV-20-0526 Politická socializácia na území Slovenska v rokoch 1848 – 1993, riešených na Historickom ústave SAV, v.v.i.

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Časopis

Theatre as a Venue and Tool of Social Change in the “Long” 19th Century

The Theatre as a Venue and Tool of Social Change in the “Long” 19th Century (An introduction)

The Stakes of Theatre Patronage in the Habsburg Monarchy’s Eastern Lands at the Turn of the 19th Century (1790–1810)

The Summer Theatre in Bratislava: Dangerous Laughter and the Disciplining of Urban Popular Culture in the Late 18th Century

The Construction of a New Theatre in Bratislava by George Csáky According to Documents of the Hungarian Royal Governor’s Council

The Ljubljana Stage in the 1830s: Cultural Exchange and Institutional Dynamics

Proclamation of a Collective Viennese Identity—Aspects of the Wiener Theaterzeitung’s Reports on Giacomo Meyerbeer’s Robert le Diable in the 1830s

Politicization of Theatre Audiences Through Historical Opera and the Use of National Myths: A Case-study of Nikola Šubić Zrinjski

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Časopis

Theatre as a Venue and Tool of Social Change in the “Long” 19th Century

The Theatre as a Venue and Tool of Social Change in the “Long” 19th Century (An introduction)

The Stakes of Theatre Patronage in the Habsburg Monarchy’s Eastern Lands at the Turn of the 19th Century (1790–1810)

The Summer Theatre in Bratislava: Dangerous Laughter and the Disciplining of Urban Popular Culture in the Late 18th Century

The Construction of a New Theatre in Bratislava by George Csáky According to Documents of the Hungarian Royal Governor’s Council

The Ljubljana Stage in the 1830s: Cultural Exchange and Institutional Dynamics

Proclamation of a Collective Viennese Identity—Aspects of the Wiener Theaterzeitung’s Reports on Giacomo Meyerbeer’s Robert le Diable in the 1830s

Politicization of Theatre Audiences Through Historical Opera and the Use of National Myths: A Case-study of Nikola Šubić Zrinjski

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Sociálne médiá

Výzvy na publikovanie

Kontakt