society

This study offers an overview of the organizational, structural and artistic dimensions of the Estates Theatre in Ljubljana during the period from 1830 to 1840, investigating whether the theatre operated as a national institution or merely as a local municipal venue. In doing so, the discussion encompasses not only the theatre’s overall direction and audience, but also broader themes such as cultural transfer, actor mobility, professional networks and the theatre’s integration into the Habsburg Empire’s theatrical landscape.

The paper is aimed to explore possibilities of analysing popular culture of the era of the state socialism. There is demonstrated how the relationship between popular culture and the so­cialist society can be described by the same model as in West European societies - from the viewpoint of the Gramscian concept of hegemony. The paper deals with the role of popular culture in the Czechoslovak society, particularly with its participation in the process of reaching a con­sensus between the governing minority and subordinated majority.

The Slovak National Uprising was one of the most important events in the 20th-century history of Slovakia. Although historians have seriously examined this topic, they have predominantly concentrated on its political and military aspects. Much less attention has been paid to the everyday life of common people living in the territory taken by the insurgents. The author has produced this paper with an ambition to bring more detailed pieces of information about everyday life during the Slovak National Uprising.